Georg Mühleck Artist

“caspecies 8 triptych v1C" (detail) 2015, archival pigment on Canson

“inked kelpies 44_v2+04” (set 4) 2019, archival pigment on Hahnemühle

“mind bunker #11” 2000, Translucent C-Print in tray

“hippoCAMPus” 1998, 15 tents; print on fabric, Galerie Manfred Rieker

“armed arm” 1992/93, Cibachrome

“Cellular Beauty Mini-Lab” 1993/2001, parts of Edition Lorenz & Co.

“inked kelpie 12b” 2018, archival pigment on Hahnemühle

“swaying differentiated dish 2” 2011, archival pigment, Plexiglas

“Heat sources diptych” 1993, CLC prints, aluminum

“cues for — #1” 2007, archival pigment on Saunders

“kelpie 07 in rock” 2019, archival pigment on Hahnemühle

“mind bunker #1” 1999, Lysonic on Rough Fine Art paper

“(200) views for ID match” 1994, paper objects in colour offset/copigraphy

“(200) views for ID match” 1994, installed

“Five heat fields” 1993, viable data

“(beautiful) data dump — part 18” 1991, thermal print UP-5000

“Generator around crystals” 1993, CLC prints, aluminum

“Copy of nothing in October 1982 or: the air of the gallery #1-13” Copigraphy RX 6500

“match ID” 1993, 9 puzzles

“caspecies 16” 2015, archival pigment on Canson

“mind bunker #8” 1999, Lysonic on Rough Fine Art paper

“(Remote) Mind — The strangers are still me” Video installation by Barbara Rauch and Georg Mühleck, music by Karin Krog; 2006 Undercroft, Stephen Lawrence Gallery, London UK

“The painting professor: pirate art process PP370” 1988, laminated Copigraphies CX-5000

“Light Signal” 1986, Copigraphy RX 6500 on cotton paper

“Memory-Schiff” 2000, Ilfochrome/Plexiglass, stainless steel, cemetery Untergruppenbach

Part of “Enemat” 2007, Ilfochrome/Plexiglass, stainless steel

“Enemat” 2007, Ilfo/Plexi/stainless steel, Fraunhofer Gesellschaft; architects K.Lehmann, M.Schneider

"The Pirate Art Process" digital thermal prints CX 5000, Galerie Rahmel, Köln 1990

“princess” 1989, Cibachrome

“Screen Heads — All Neighbours Normal (in the end)” 1993, CLC prints, aluminum

“staged caspecies 11” (2 groups of seven) 2015, archival pigment on Canson

“Cellular Cultures (T)” 2009, artistbook, archival pigments on Moab

“Metasystem transition: subculture 2” 2009 , Archival pigment on Arches

“exposed eye 1” 1998, Lysonic on Rough Fine Art paper

“sei 2” and “sei 1” 2002, archival pigment on Arches

“inked kelpie 10” 2019, archival pigment on Hahnemühle

“Thinking with tea, my deer” 1998, print on fabric, poles, rope

“caemborg (caspecies 3A)” 2014, archival pigment on Canson

“Cellular Automata, chessmen: pawn R6” 1997, Ilfochrome/Plexiglas

“Cellular Automata, chessmen” 1997, 32 Ilfochromes in programmed light boxes

“State of soul, state of mind” Copigraphy RX 6500, Goethe House New York 1988

“(beautiful) data dump: information table” 1991, C-prints, Umatic video

“stranded” 2017, archival pigment on Canson (photo)

“inked kelpie 28_v2” 2020, archival pigment on Hahnemühle

“knowledge & Camillo’s memory” 1998, print on fabric (tent)

“Horizontal transformation of one element (No.J)” 1982, oil pastel on Arches

“74 degree shower diptych” 1981, oil pastel on PVC

“I want you, I need you, I love you” 1990, giclée, aluminum

“two hatchet in wonderland” 1989, copigraphy CX5000

“Emotive Recall” video installation by Barbara Rauch + Georg Mühleck, Wrexham Arts Centre, UK 2003

“Signal” 1981, oil pastel on tissue, plastic film, polyester wadding, aluminum foil

“Fünfzehn Weichspiegel-Sandwiches” 1981, Oil Pastel on tissue, polyester wadding, aluminum foil

“sTEAmulus pond 2 — Subculture 2” 2008, archival pigment on Arches

“Screen Heads” 1993, 85 Silkscreen Prints (detail of installation)

“Five vertical sandwiches” 1981, oil pastel, polyester wadding, Galerie Motivation V Montréal

“copyman” 1989, Cibachrome 127 x 198 cm

“All Neighbors Normal I” 1990-93, Cibachrome

“Life Space and Simulation” 1999, Ilfochrome mural, Stadtsiedlung Heilbronn

"Untitled Cloridorme No2" unique copigraphy RX 6500, 1986

“16 x 2000 ccm of nothing” 1985, Copigraphy RX 6500

“music feedback” 1994, Ciba/Plexi, Musikschule Neckarsulm, architects: Bechler-Krummlauf

“Cellular Automata, chessmen” 1997, Ilfo/Plexi, JVA Schwäbisch Hall; architect Hansjörg Engelmann

“hippoCAMPus” 1998, 15 tents; print on fabric, Galerie Manfred Rieker

“mind bunker #14 tray” 2000, Translucent C-Print, acrylic tray

“inked kelpies 42+34_v3” (set 9) 2019, archival pigment on Hahnemühle

“sTEAmulus pond — Subculture 5” 2009, archival pigment on Arches

“Plastic coated triptych” 1981, Oil Pastel on tissue, polyester wadding, plastic film

“Copies of nothing in Oct.1982 (Opera grey)” Copigraphy RX 6500

“connect 1+2” 2004-2008, archival pigment on Arches

“The painting professor: pirate art process #...” (PP360) 1988, digital-thermal copigraphy CX-5000

“caspecies 12A+12B” 2015, archival pigment on Arches

“Peripheral Kinetics” 2011, archival pigment, Plexiglas, Galerie Manfred Rieker

“rising horizon — copies of nothing” 1984, copigraphy RX 6500

(unknown title1) 1982, Oil pastel on Arches

“language islands” 1995, CLC print transfers onto alucobond

“Untitled Cloridorme No 4” 1986, Copigraphy RX 6500

“M4-mind control” 1993, C-Print

“Exposed Eye” (hippoCAMPus series) 1998, print on fabric, poles, rope

“Polymat” 2006, Ilfochrome/Plexiglas, Fraunhofer Gesellschaft; architects K.Lehmann, M.Schneider

“Life rules over historic ground” 2004, The New Royal Infirmary of Edinburgh, UK

Part of “Enemat” 2007, Ilfochrome/Plexiglass, stainless steel

“mind bunker #13” 2000, Translucent C-Print in tray

"Untitled light No 2" 1986, unique copigraphy RX 6500



The 21st century’s complex reality — a subtle combination of physical and virtual components — makes a lot of things in the world appear surreal. The terms ‘truth’ and ‘reality’ need to be reconsidered and redefined.
This archive presents works of art spanning over three decades. The running slideshow is just a preview of the archive. You can find a detailed collection under “artworks” and “public art”.
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Die komplexe Realität des 21. Jahrhunderts — eine subtile Kombination aus physischen und virtuellen Komponenten — lässt so Manches auf der Welt surreal erscheinen. Die Begriffe ‘Wahrheit’ und ‘Realität’ müssen überdacht und erneut definiert werden.
Dieses Archiv präsentiert Kunstwerke aus über drei Jahrzehnten. Die laufende Dia-Show ist lediglich eine Vorschau des Archivs. Sie können eine umfassende Sammlung unter “artworks” und “public art” finden.